Spotlight & Giveaway: The Book of Thorns by Hester Fox

Today it is my pleasure to Welcome author Hester Fox to HJ!

Hi Hester and welcome to HJ! We’re so excited to chat with you about your new release, The Book of Thorns!

Please summarize the book for the readers here:

Two sisters separated at birth and unaware of each other’s existence are bound together by a secret language of flowers passed down to them by the mother they never knew. The story is set against the backdrop of the last days of the Napoleonic Wars, and the two sisters finally cross paths in the aftermath of the Battle of Waterloo. Think Vanity Fair with flower magic.
 

Please share your favorite line(s) or quote from this book:

I have never heard my name before. Or rather, I have never heard the way it sounds spilling from his lips. It may be my name, but it has never belonged to me, not truly. It is a way for a mistress to summon me, a reprimand. But when he says it, it is as if he is returning a precious gift to me, one that a forgotten mother gave her child long ago.

Please share a few Fun facts about this book…

I drew a lot on my own experiences working as a florist in a small grocery store after graduating. Granted, I was a pretty poor florist (a customer once told me that my spring arrangement looked funerary) and didn’t have nearly as much talent as Lijsbeth, but understanding the basics of floral design and the process of caring for cut flowers helped a lot in my research.
Most of the meanings of the flowers in the chapter headings are at least partially based on real meanings from various Victorian floriography books. Each meaning holds a secret clue about something that happens in its chapter.
The working title of the book was originally In the Season of Violets. It’s a nod both to the language of flowers which plays a role in the book, as well as a popular quote from Napoleon in which he promised his followers to return from his exile in spring, or “when the violets bloom.”
I have always loved Vanity Fair by William Makepeace Thackeray and its many film adaptations. I reread it and watched the 2018 miniseries before I started writing, and drew a lot of my character dynamics from the story.

What first attracts your Hero to the Heroine and vice versa?

There are two love stories in this book. One of them is between Lijsbeth a young servant woman and a soldier billeted at a nearby house in Brussels. Lijsbeth is attracted to the warm and dashing Captain Norton because he is one of the first people who actually sees her despite her best efforts of being invisible. His kindness and attention quickly capture her heart. For his part, Captain Norton is enraptured by the quiet yet talented maid who can make flowers come alive in her arrangements.

The other love story is between three people: our heroine Cornelia, the soldier assigned as her guard in Napoleon’s army, and the young woman who does the laundry in the camp. Cornelia is nursing a broken heart after her lady’s maid with whom she shared a relationship was sent away. But she is immediately smitten with the quick-witted and beautiful Sophie, and does everything in her power to impress her. It takes Cornelia longer to recognize her attraction to Henri, but it’s his patience and tenderness that eventually begin to thaw her heart.

Did any scene have you blushing, crying or laughing while writing it? And Why?

My absolute favorite scene to write takes place at the Duchess of Richmond’s ball which was held on the eve of the Battle of Waterloo. This infamous ball has been immortalized in many Victorian paintings and books, the most well-known of which is probably Vanity Fair.

The music ends, but his hold lingers. His chin hovers just above my shoulder, the gentle exhales of his breath warm on my neck. I should pull away, drop a curtsy, or…something. But I don’t want to move. I cannot, not when I am so close to touching heaven.
“There,” he says, his deep whisper sending shivers through me. “Tell me you don’t care for dancing, and I shall consider it a lost wager.”
But of course, I cannot tell him, because it would not be true.
He is still close, close enough that our lips could touch with the merest suggestion. “Lijsbeth, there is something I would ask of you.” His confidence is belied by the slight rasp of his voice, the smallest of tremors in his hand at my back.

Readers should read this book….

With a cup of earl gray tea, a plate of lavender biscuits, and a vase of roses.

What are you currently working on? What other releases do you have in the works?

I’m currently working on a book with the working title Petal White, Water Dark slated to come out in 2025. It is part gender-flipped The Little Mermaid retelling, part allegory for climate change, and part homage to the folklore of my Frisian heritage. It’s very romantic and darkly magical. It’s been a passion project for me for years, and I’m so excited that I will finally get to share it with the world.
 

Thanks for blogging at HJ!

Giveaway: A print copy of THE BOOK OF THORNS, Open to US winners

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Excerpt from The Book of Thorns:

Cornelia
Begonia: a favor repaid, a warning foretold, a promise delivered in darkness.
Sussex, England, February 1815
I can feel Betsy watching me from the doorway.
She hovers like a bee, rehearsing some small speech in whispers. I pretend not to notice her fidgeting, and instead focus on the vase of narcissus before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is something calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.
Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.
“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”
I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition, and bring a touch of softness to his otherwise hard demeanor. “There’s a cake in the kitchen, and cold ham as well that you might bring them,” I add as an afterthought.
But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”
I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.
“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of nothing else in this house, I at least can take pride in my appearance.
I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”
Uncle stands and tugs at his waistcoat. “Cornelia, come in.”
Though probably not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. What he lacks in polished comportment though he makes up in his wardrobe, opting for elaborate cravats and showy brocades waistcoats that never quite fit him but speak of money and an account in good-standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”
Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair complexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”
“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”
He shares a confidential look with my uncle. “On the contrary. Our conversation has been on the most enjoyable of topics.”
“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”
Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.
Well, that makes two of us.
I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pay only a pittance. It is not enough to live on, and certainly not enough for a young woman who enjoys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.
“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.
The air usually lightens, the room sighing a breath of relief when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.
Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’ sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”
Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand and instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”
Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to expand his landholdings to the south of the county.”
If the man sitting across from me was meek, pliable, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot, or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is irritatingly young and looks to be in good health.
“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.
“Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare, and a generous allowance.”
“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition, because she holds you in some esteem?”
“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means, but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and ornament his home. I hold a commission in the army and anticipate traveling to the continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”
“It’s a little late to be going over to the continent, isn’t it? I believe we quite vanquished Napoleon.”
Irritation animates his dark eyes before he glances away, taking what I suspect is an intentionally long sip of his tea.
I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, before finally placing where I’ve seen him. “You were married before, were you not?”
There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.
“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pretend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.
His lips thin. “An unfortunate fall.”
“Mm. She did not bear you any children, did she?”
“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to pedal,” he says coldly.
“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.
“Perhaps you’ve also heard that I have certain…proclivities.”
The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”
“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures elsewhere, so long as my wife is obedient.”
His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute, but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.
“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in coming here.”
But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”
And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by little every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.
“Surely there are other young ladies that would be flattered by your attentions,” I tell him.
“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle; I am a man who gets what he wants, one way or another.”
All the promise of gold or continental trips would not be enough to tempt any marriage-minded mama to let her daughter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.
“Then perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”
He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”
He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting drawing in the parlor.
If I work quickly, I can still finish it and have it ready for tomorrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeve’s and his odious proposal quickly fade away from my mind.
But then a raised voice shatters the silence, breaking my concentration, and then the thundering velocity of Uncle coming down the hall.

Excerpt. © Reprinted by permission. All rights reserved.
 
 

Book Info:

Hester Fox delivers an enchanting tale of secrets, betrayal, and magic!

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and lacking options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her near-magical ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion. For behind Cornelia’s vast knowledge of the natural world is a secret she keeps hidden—the flowers speak to her through a mysterious connection she has felt since childhood. One that her mother taught her to heed, before she disappeared.

Then, as Napoleon’s army descends on Waterloo, the flowers sing to her of a startling revelation: a girl who bears a striking resemblance to Cornelia. A girl she almost remembers—her sister, lost long ago, who seems to share the same gifts. Determined to reunite with Lijsbeth despite being on opposite sides of the war, Cornelia is drawn into a whirlwind of betrayal, secrets, and lies. Brought together by fate and magic at the peak of the war, the sisters try to uncover the key to the source of the power that connects them as accusations of witchcraft swirl and threaten to destroy the very lives they’ve fought for.
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Meet the Author:

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. She lives in New England with her husband and their two children.
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