Spotlight & Giveaway: The Second Chance Bus Stop by Ally Zetterberg

Today it is my pleasure to Welcome author Ally Zetterberg to HJ!

Hi Ally Zetterberg and welcome to HJ! We’re so excited to chat with you about your new release, The Second Chance Bus Stop!

Please summarize the book for the readers here:

Edith is slowly losing her memory, but there is one person she needs her son, and carer, Blade to find first. Searching for the one who got away he finds himself in Sweden, sharing a campervan with florist Sophia, who might just be the one he can’t let get away. It’s a story of love in all its shapes and forms and of community and finding your people.
 

Please share your favorite line(s) or quote from this book:

I love Sophia’s unusual way of seeing the world and how she likens each person to a flower. There are a lot of them but I really like this one when Sophia remembers her uncle and a special moment they shared.

Tell me which flower you are, Sophia,” my uncle would say. And I’d think carefully, swing my legs back and forth on the chair and remember all the large, colourful pictures in his Latin dictionary of plants.
“I think I may be a Tridax procumbens. A grass flower. It’s not so fancy and just smells like grass. It’s small and unnoticeable, but still a flower with its own melancholy.” I stumbled on that last word, knowing how to spell it but not quite how to say it. I hadn’t had an opportunity to try it out yet. I liked the dance it did on the back of my tongue.
He nodded contentedly.
“Grass flowers are one of nature’s most understated arts. They’re exquisitely designed, Sophia.”

Please share a few Fun facts about this book…

• Sophia is obsessed with plant names and so I had to buy a large collection of plant encyclopedias and was constantly googling Latin flower names. It’s the niche knowledge I didn’t know I needed in my life!
• Most of the Swedish town names and locations are real, but I’ve had to snuck in some made up ones too, for the journey to make sense.
• The bus stop in the book, where Edith spends so much time, and the close by library are real and located on High Street Kensington in London.
• The Hero and Heroine meet first time at a strangers funeral.

What first attracts your Hero to the Heroine and vice versa?

Only one feels instant attraction! The other person needs time. She needs her love story to be just right for her, respecting her specific needs as an Autistic woman. But also time to trust that the love will see through her struggles and discover her as a person. I think both hero and heroine have an honesty and a vulnerability that is very attractive.

Did any scene have you blushing, crying or laughing while writing it? And Why?

Sophia can be quite blunt and reference sex in an unflinching way. After some of her one liners I definitely had moments of “god, this is a bit much, Ally”!
Like this one:

SOPHIA
Svedala

It’s 11.30, and I’m in my flower shop, the morning after my disastrous kiss, and I’ve just moved to close my tenth transaction of the day.
“A flower is the reproductive structure found in plants. The biological function of a flower is to facilitate reproduction by providing a mechanism for the union of sperm with eggs.” I say this to the man who’s just walked into my shop, picked up a dozen of prebanded pink roses and shared that he’s off to a date this evening. For good measure, I add, “Good choice. Hopefully they will help facilitate the union of sperm and eggs.”
He looks around me as if trying to make sure no customer is next to us. The doorbell hasn’t rung, so I know we’re alone. He doesn’t look reassured which means I may have misread the interaction. Perhaps he was hoping for someone to walk in. Perhaps he was hoping for a crowd to appear so he isn’t alone with just me.
“I know there are people more comfortable with other terminology, but I think it’s degrading to speak of the reproductive process like that,” I explain helpfully.
“Got ya.”
“There aren’t many customers through the doors at this time of the day. If you look at Google, you will see that our peak times are 12.30 and 17.30,” I inform him as he yet again fixates on the door. “Card?” I add as I tap in the price.
“Contactless.”
“Like my contacts list,” I say, but he doesn’t laugh.
He taps his card, holds it mid-air as we both stare the machine down waiting for the rattle of receipt paper to break the heavy silence.

Readers should read this book….

If they like character foused fiction. This book is about people coming together and ecah and every character has their own story and voice.

What are you currently working on? What other releases do you have in the works?

I’ve just started working on my third novel for readers who enjoyed The Second Chance Bus Stop. More news to come on this soon!
 
 

Thanks for blogging at HJ!

Giveaway: One copy of THE SECOND CHANCE BUS STOP, U.S. only.

To enter Giveaway: Please complete the Rafflecopter form and Post a comment to this Q: If you were to feel your memory slip, like Edith, would there be anyone or anything from the past you’d like to connect with again? What story from your life would be most important for you to tell your family?

 
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Excerpt from The Second Chance Bus Stop:

Prologue

I’m sitting on the kerb of a cobbled pavement, not far from the bus stop, feeling as old as I am: sixty-four. And I have felt like I was waiting for something my entire life. Even as a child I’d stare out the window, expecting something where there was nothing other than the cars lined against the road and the black bin bag on the ground, uncollected, because Mother had gotten the day muddled again. At first I thought it was a sign that things would fall into place and I could simply put my life on autopilot until they did. Perhaps it was a psycho- logical thing. Lately I’ve come to accept it’s more likely my mind playing tricks on me. Old age? Some kind of progressive disease? Who knows.
There is a breeze today on Hornton Street. I’ve counted thirty-one chewing gums on the ground, varying shades of dirt-marbled pink, grey and coal-black. People come and go, and I try to look for patterns. I always find patterns in every- thing, much like some people see the face of Baby Jesus or George Washington in potatoes. There have been four blonde ladies, so a brown-haired one must come soon. Or three men have walked past, so a child should be coming next. I’m try- ing to figure out after which sequence of passersby the one

I’m waiting for will appear. And what he will say? I have been through it in my mind a hundred, a thousand—more than that—times.
‘Hello,’ he might say. Or, ‘I’ve missed you.’ Maybe, ‘So this is where you are.’
I’d like him to simply say, ‘You came.’ Smile wide. Or perhaps with a serious face.
Of course, I know he won’t say any of these things. People never say what you expect them to.
While I’m thinking, someone does come up to me. It’s a gentleman who works at Whole Foods on Kensington High Street.
‘How are you today?’ He hands me a five-pound note and walks on before I have time to answer the question or ob- ject to the note now nestled in my hand. I’m not broke. I’m broken-hearted.
Only two more hours until home-time now, when I board the bus and head back to the warmth of my house where my son will lecture me until he decides it’s no use and gives up. I ate the plate of lasagne he’d left me before I headed out this morning (it was a better breakfast than the lamb stew we had last week), moved my crossword to a new place and left a half-drunk cup of tea on the living room table. I even pulled off and f lushed half a metre of toilet paper down the loo. Extreme? Trust my son to notice any little trace I leave behind. Like this, for all he knows, I’ve had a productive day at home, eaten my lunch and had a bowel movement. As long as I’m back before he comes through the door I’ll be fine.
I glance at my watch. It’s 15.14, on 8 June, 2023. I’ve been waiting twenty-seven years.

Sophia
Svedala

When you kiss someone, as many as eighty million bacteria are transferred between mouths. This is for a ten-second kiss. Don’t get me started on those long, slobby affairs that happen in, say, backs of cabs or on doorsteps after a fourth date. But wait—it gets worse. Couples who kiss more than nine times a day (first of all, who are these people? Do they not have to work? Or like, eat?) actually share communities of bacteria. So you don’t just share a home, you also share a saliva community. Which is, to cite my teenage self, GROSS.
It’s all I can think of as the perfectly handsome man in front of me who’s just treated me to dinner and half a bottle of wine leans in and tries to slide his tongue between my lips. I press them firmly shut. Because, well, bacterial transfer. He kind of moves to the side to see if there’s an opening there, and I’m forced to twitch my face to withhold. He gives up, draws back and looks at me.
His name is Ed, and he has brown eyes and hair that kind of shines without any hair product. He likes travelling and cars, works for a digital creator brand and wouldn’t mind settling down with the right woman. He seemed great; I was even willing to overlook his very clear You don’t seem Autistic at all greeting. On paper he looks good for me, a twenty-five-year- old woman who has blue eyes and hair like unruly yellow straw, is taller than most men, owns her own f lorist shop and wouldn’t mind having her first boyfriend right about now. Or yesterday. In fact, I’ve been trying for God knows how long to have my first boyfriend. But looking good on paper doesn’t always translate to real life.
‘Are you okay?’ he asks, shifting his weight back and forth as if he needs a wee.
‘I am okay.’ Roof over my head, no ongoing war or con- f lict threatening my livelihood, and I just ate a bowl of pasta. Sure, I very much wish I had one and a half million kroners to buy my brothers out of my f lower shop so that it was mine alone, but I can’t claim to not be okay. I’d call my cur- rent mental state slightly unhappy, but then lots of people go through their whole lives that way. My mother’s words come to me: When there are those worse off, we don’t complain. Sure, there are those worse off—some single ladies may not yet have discovered the Le Wand 3.0 vibrator.
‘We had a good date just now. And the one before.’ He starts to recap our dating history. Which, although brief, has shown great promise. He has only a few annoying habits, chews with his mouth closed and, as opposed to the man I dated previ- ously who I spotted in the town centre wearing socks and crocs and thus immediately cancelled, wears sneakers.
‘Yes.’ It’s true. I’ve enjoyed getting to know him. I may have even fantasised about pushing my body against his, feel- ing my chest stop heaving for a moment, grabbing his hand and placing it somewhere I’m practically aching to be touched and—‘But somehow you’re not that into me . . . ?’
‘That’s not it, Ed.’
I realise I have to give a reason. And that when I do, this will be over. Much like my teenage years when I would sneak back into my parents’ house even before curfew, tonight I’ll go back to my f lat still unkissed. I don’t like labels. Like Autistic or control freak. Anxious. Eating disorder. OCD. Those types of things. Somehow I collected these kinds of labels throughout childhood the way others collected Brownie badges. Hence I’ve made it my mission to appear as normal as I can to avoid accumulating more of them in adulthood.
So here I am. With the chance to get rid of one of my most stubborn labels: unkissed. It’s meant to be good, isn’t it? Otherwise people wouldn’t brave the bacteria. The eighty mil- lion of them. An army. An invasion. Foreign bodies in my body. Well okay, I wouldn’t necessarily mind that last one. Can
we skip straight to it?
Ed leans in again, and I finally blurt it out, ending any pros- pects of Ed and Sophia ever creating a bacterial community or any other form of community.
‘I’m sorry. I can’t do this.’
‘It’s okay, we can take it slow. Just kissing.’ He leans in again, completely unaware of, and not intending to find out, what it is I can’t do. I put my hand on his chest, and it drums against my palm. I don’t like it. It feels too excited—like a dog’s tail wagging. Drumdrumdrum.
‘I don’t kiss. I thought I could, but it turns out I can’t. I wrote it in one of my messages to you?’
He looks genuinely confused.
‘I thought that was some pun or turn-on technique. Hot girl wants to skip foreplay? Any guy is all in and down with that.’
Great. Remind me to add it to The Autistic’s Guide to Life’s chapter on getting the attention of a man: How to make your quirk work and really turn them on.
‘Well, no, it’s an actual no to kissing.’ We stare at each other for an awkward minute, as if we’re children checking who will blink first. I think about placing a hand on his body but am not sure where I’d put it. I leave my arms hanging by my side. He attempts a joke.
‘Sure you’re not some kind of a prostitute?’
It’s not a funny one, so I don’t reply. He shifts uncomfort- ably on the spot.
‘The no kissing. You know, Pretty Woman? I thought that’s what working girls do to not get attached.’
‘Ed, I am trying very hard to get attached. However, I do not wish to attach my lips to yours. That is the point I am desperately trying to make here. All other body parts would be okay to attach.’
‘Gotcha. Erm, listen. I’m all for attaching stuff and all, but . . . we may have different goals here.’
I want to argue that no, we do not have different goals (we both want a relationship) but rather different paths and ideas about how to achieve them (no lips versus lots of lips). But then I think of all the inspirational quotes I’ve ever been fed that say things like Enjoy the Journey. I think how others are usually uninterested in my different-looking journey. And it’s clear Ed won’t be coming along with me on my journey.
‘I’m going to go now,’ I say. ‘Thank you for the dinner, the wine and the ice cream.’
I am about to turn around and leave him there when I have second thoughts. Kissing is essential for getting attached. I can’t meet someone and get them to like me without that part of the deal. I pep-talk myself. If this is what you need to do, then go and bloody do it, Sophia, I hear my uncle’s voice saying. I’m fairly sure he wasn’t talking about kissing men named Ed, but I think his words apply in this scenario too. I have tried a lot of things in order to advance my life, to become a happier, more fulfilled version of myself. The one thing I’ve failed to try so far is a relationship. And I’m convinced that it’s the answer to this nagging feeling of not quite having it all. It must be.
So I decide to try. At least once. I’m twenty-five and get- ting a little antsy, not for love and marriage and cute babies and getting to romanticise sleep deprivation. But for someone to like, hold and do those things with. I will look up how long bacteria live, and I will survive it. There’s always mouthwash. I have it at home. Perhaps if I do it once he will be satisfied, and we won’t have to do it again. Okay. Ready.
I lean towards him, and that’s all the encouragement he needs. Excited to have changed my mind, to have converted me, he puts his hand behind my head intertwining my long hair with his fingers, and I can sense all my follicles protesting. Then he ravishes my mouth. Devours it. Heads into battle, bending open my defence and rushing his army of bacteria in via a wave of saliva. He tugs at my bottom lip, and I stiffen. It’s wet and horrid, and my brain can’t anticipate where his tongue will move next so every touch is a bloody horrendous surprise. A shock to my nervous system and a complete sensory over- load. And there are so many tastes. A hint of fresh mint. Deep tones of arabica coffee.
It’s awful.
And in that moment I promise myself to never kiss anyone again.
This is the first and last time.
I’m Sophia, collector of labels, and my most recent one is Single—Unhappily—for Bloody Life.

Excerpt. © Reprinted by permission. All rights reserved.
 
 

Book Info:

Edith has Alzheimer’s. The idea that she will someday forget her son, her life, even her self, plagues her constantly. So there is something important she must do beforehand: she has to find Sven, the love of her life she was supposed to meet on a bus bench twenty-seven years ago and run away with.

Her son, Blade, is struggling to keep an eye on her. His mother’s full-time caregiver, he resents the fact that he gave up most of his life to look after her. But what wouldn’t he do for his mother? Track down her decades-old flame before her mind fails her? Sure, he can do that.

Sophia is fiercely working to keep her business afloat. Her uncle left his flower shop to her and her brothers after he died, and she needs to show her family that the business is worth saving. So when an opportunity comes along that takes her all over Sweden, she can’t say no.

While Edith is desperately trying to hold on to her memories, she discovers friendship as she sits daily at the bus stop. While Blade is out looking for Sven, he learns to embrace his relationship with his mother more fully. While Sophia is fighting to keep her dream alive, she comes to terms with the therapies that were forced upon her in response to her autism diagnosis. Life is happening all around them, and like in life, there’s always still good to be found.
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Meet the Author:

Ally Zetterberg is a British-Swedish writer. She spent ten years working internationally as a fashion model before becoming a full-time mum. Being neurodivergent herself and the mother of a child with Type 1 Diabetes, she is passionate about writing relatable characters and representing those living with medical conditions in commercial fiction. She speaks four languages and spends her days doing her best not to muddle them up.
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